- 1976: このバージョンを出品. Ramsey Lewis: Salongo (CD, Album, Blu) Sony Records Int'l: SICP 20293: Japan: 2011: このバージョンを出品: PC 34173: Ramsey Lewis: Salongo.
- Ramsey Lewis - Salongo 1977. Ramsey Lewis - Love Notes 1992. Ramsey Lewis - Sky Islands 1996. Ramsey Lewis - Between The. Ramsey Lewis Trio Barefoot Sunday Blues. Dave Ramsey Financial Peace University coordinator guide pdf rar Ebooks Tutorials 4 0 4 years 40 Mb. Ramsey Lewis Salongo (1976). Sky Islands; Studio album by Ramsey Lewis; Released.
This is an original copy of the excellent SALONGO LP by RAMSEY LEWIS on Columbia Records from 1976. A fantastic soul jazz/jazz funk record from this great artist. The vinyl is in VG+ condition with some light wear and some light, unobtrusive surface noise. The cover is in MINT- condition; opened, but still in original shrink wrap, as pictured. Ramsey Lewis - Salongo Music - Weeklytrust. Toggle navigation.
Artist: Ramsey Lewis
Title: Salongo
Year Of Release: 1976
Label: Wounded Bird Records[WOU 4173]
Genre: Jazz, Soul Jazz
Quality: FLAC (image + .cue,log,scans) | MP3/320 kbps
Total Time: 35:38
Total Size: 256 MB(+3%) | 84 MB(+3%)
WebSite: Album Preview
Title: Salongo
Year Of Release: 1976
Label: Wounded Bird Records[WOU 4173]
Genre: Jazz, Soul Jazz
Quality: FLAC (image + .cue,log,scans) | MP3/320 kbps
Total Time: 35:38
Total Size: 256 MB(+3%) | 84 MB(+3%)
WebSite: Album Preview
Tracklist
1. Slick
2. Aufu Oodu
3. Rubato
4. Salongo
5. Brazilica
6. Nicole
7. Seventh Fold
Jimmy Bryant Singers - Clavinet
Jimmy Bryant - Clavinet
Steve Cobb - Drums, Vocals
Byron Gregory - Guitar (Acoustic), Guitar, Guitar (Electric)
Ron Harris - Electric Bass
Ramsey Lewis - Piano, Keyboards, Electric Piano
Don Myrick - Tenor Saxophone
Derf Reklaw-Raheem - Flute, Percussion, Vocals
Tang - Vocals
Maurice White - Drums, Timbales, Vocals
Verdine White - Bass, Vocals
Those shocked or even dismayed by the lack of jazz on 1975's Don't It Feel Good would no doubt be pleasantly surprised by this. Released in 1976 and produced by Maurice White and Charles Stepney, Salongo offers a more substantial look at African and Latin styles. Around this time Lewis always had the good fortune to be supported by good bands and excellent side players like Verdine White, Ernie Watts, Jorge Strunz, as well as many others. The first track, 'Slick' mixes Latin flourishes with straight-ahead jazz. The only less than stellar track is 'Aufu Oodu,' which has Lewis getting lost in the Earth Wind and Fire-derived production style. More convincing is the title track and it has a great bassline, tough drumming, strong horn arrangement, and, of course, smooth and quick electric piano solos from Lewis. The seductive Brazilica is a non-cloying experiment in Latin music, and is well known by fans of commercial '70s jazz and quiet storm. For the poignant 'Nicole,' Lewis plays both electric piano and acoustic with equal deftness and emotion. The last track, the methodical 'Seventh Fold,' was written by Stepney and has his characteristic adventurous approach and a sweeping string arrangement. Salongo earns most of its raves by being one of the few albums of the time to sidestep commercial considerations. The effort is also one of Lewis's best at getting his eclectic nature and is more enjoyable than the better-selling Sun Goddess. ~ Jason Elias, All Music Guide
1. Slick
2. Aufu Oodu
3. Rubato
4. Salongo
5. Brazilica
6. Nicole
7. Seventh Fold
Jimmy Bryant Singers - Clavinet
Jimmy Bryant - Clavinet
Steve Cobb - Drums, Vocals
Byron Gregory - Guitar (Acoustic), Guitar, Guitar (Electric)
Ron Harris - Electric Bass
Ramsey Lewis - Piano, Keyboards, Electric Piano
Don Myrick - Tenor Saxophone
Derf Reklaw-Raheem - Flute, Percussion, Vocals
Tang - Vocals
Maurice White - Drums, Timbales, Vocals
Verdine White - Bass, Vocals
Those shocked or even dismayed by the lack of jazz on 1975's Don't It Feel Good would no doubt be pleasantly surprised by this. Released in 1976 and produced by Maurice White and Charles Stepney, Salongo offers a more substantial look at African and Latin styles. Around this time Lewis always had the good fortune to be supported by good bands and excellent side players like Verdine White, Ernie Watts, Jorge Strunz, as well as many others. The first track, 'Slick' mixes Latin flourishes with straight-ahead jazz. The only less than stellar track is 'Aufu Oodu,' which has Lewis getting lost in the Earth Wind and Fire-derived production style. More convincing is the title track and it has a great bassline, tough drumming, strong horn arrangement, and, of course, smooth and quick electric piano solos from Lewis. The seductive Brazilica is a non-cloying experiment in Latin music, and is well known by fans of commercial '70s jazz and quiet storm. For the poignant 'Nicole,' Lewis plays both electric piano and acoustic with equal deftness and emotion. The last track, the methodical 'Seventh Fold,' was written by Stepney and has his characteristic adventurous approach and a sweeping string arrangement. Salongo earns most of its raves by being one of the few albums of the time to sidestep commercial considerations. The effort is also one of Lewis's best at getting his eclectic nature and is more enjoyable than the better-selling Sun Goddess. ~ Jason Elias, All Music Guide
Additional Art
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Ramsey Lewis Biography
Sealed 1976 Original With Gold Demonstration Stamp On Back & Custom Inner Sleeve. “Those Shocked Or Even Dismayed By The Lack Of Jazz On 1975's Don't It Feel Good Would No Doubt Be Pleasantly Surprised By This. Released In 1976 And Produced By Maurice White And Charles Stepney, Salongo Offers A More Substantial Look At African And Latin Styles. Around This Time Lewis Always Had The Good Fortune To Be Supported By Good Bands And Excellent Side Players Like Verdine White, Ernie Watts, Jorge Strunz, As Well As Many Others. The First Track, 'Slick' Mixes Latin Flourishes With Straight-Ahead Jazz. The Only Less Than Stellar Track Is 'Aufu Oodu,' Which Has Lewis Getting Lost In The Earth Wind And Fire-Derived Production Style. More Convincing Is The Title Track And It Has A Great Bassline, Tough Drumming, Strong Horn Arrangement, And, Of Course, Smooth And Quick Electric Piano Solos From Lewis. The Seductive 'Brazilica' Is A Non-Cloying Experiment In Latin Music, And Is Well Known By Fans Of Commercial '70s Jazz And Quiet Storm. For The Poignant 'Nicole,' Lewis Plays Both Electric Piano And Acoustic With Equal Deftness And Emotion. The Last Track, The Methodical 'Seventh Fold,' Was Written By Stepney And Has His Characteristic Adventurous Approach And A Sweeping String Arrangement. Salongo Earns Most Of Its Raves By Being One Of The Few Albums Of The Time To Sidestep Commercial Considerations. The Effort Is Also One Of Lewis's Best At Getting His Eclectic Nature And Is More Enjoyable Than The Better-Selling Sun Goddess.” Jason Elias, AMG.
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